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BOOK 4
- EDITORIAL BOARD
CONTENTS - EDITORIAL BOARD
FOREWORD - Boyko Penchev
Does Cinema Kill off the “Eternal” Baba Nedelya? - Cleo Protokhristova
The Literary Canon in Woody Allen’s Workshop - Timothy Corrigan
The Essay Film: “On Thoughts Occasioned by…” Montaigne to Marker - Ralitsa Lyutskanova-Kostova
JULIA DUCOURNAU’S RAW: FEMALE GOTHIC ON FILM - Kostantin Adirkov
Doubles and Identities in E. T. A. Hoffmann’s New Year’s Eve Adventure - Nikolay Aretov
Translated “Fearful” Fiction from the Mid-19th Century - Regina Koycheva, Asst. Prof. PhD
Horror in the Byzantine-Slavic Middle Ages and Western European Gothic Culture - Yv-Kristian Angelov
Gothic and Terrorism: On the Genealogies of a Terror - Joanna Neykova
Self-Reflexivity and Gothic Laughter in Prins by César Aira - Bogdana Paskaleva
Duality and the Sublime: Burke Read by Kovachev - Enyo Stoyanov
Novelty and Habit in Edmund Burke’s Aesthetics - Bozhana Filipova
The Genius and the Sublime (A Theoretical Ouvrerture) - Maurice Fadel
Don Juan and the Sublime - Nevena Panova
Are the “Canons” of Antiquity Sublime? - Mihail Nedelchev
The Resistance of the Literary Canon аgainst Avangardisms - Stilian Yotov
Adorno and the Failures of Realism - Lyudmil Dimitrov
Rethinking Pushkin, or the Balkan Aftertaste of Russian Romanticism - Francheska Zemyarska
Literary Zones: M. Yourcenar and the Concept of World Literature - EDITORIAL BOARD
AUTHORS
