The present study aims at examining the motif of death in the early work of the Bulgarian Symbolist Teodor Trayanov. The image of death in the poet’s first poems’ collection Regina Mortua (1909) was specifically studied. Worked on the anthology The Freed Man (1929), including works from the period 1905–1911, where Regina Mortua occupies the first part.
ON THE PROBLEM OF DEATH AS A SYMBOL IN THEODOR TRAYANOV’S POETRY
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YEAR: КНИГА 6PUBLISHED ON :
PUBLISHER: INSTITUTE FOR LITERATUREISSN (Print): 2738-7631ISSN (Online): 2815-2999
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- NAME: Vera Radeva
- INVERSION: Radeva, Vera
- E-MAIL: [email protected]
- INSTITUTION: Institute for Literature – Bulgarian Academy of Sciences
- COUNTRY: Bulgaria
VЕРА RАDEVA (1981) is a doctor of Bulgarian literature. She holds an MA in Literary Studies, and a BA in Bulgarian Philology from Sofia University. She defended as a doctoral thesis “Aspects of foreignness in the stories of Georgi Porfiriev Stamatov”. Her research interests are focused on Bulgarian literature between the two world wars.
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ABSTRACTThe present study aims at examining the motif of death in the early work of the Bulgarian Symbolist Teodor Trayanov. The image of death in the poet’s first poems’ collection Regina Mortua (1909) was specifically studied. Worked on the anthology The Freed Man (1929), including works from the period 1905–1911, where Regina Mortua occupies the first part.
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