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The article focuses on the dialogue “Lugubrious Nights” by José Cadalso and analyses it from the point of view of its Gothic and Enlightenment traits. While Tediato, the protagonist, embodies the ideas of the Enlightenment, the Gothic is associated with the atmosphere of horror and the constant presence of the supernatural. The dichotomies, constituent of the poetics of the Gothic, between the supernatural past and the devoid of supernatural present are transformed in the dialogue into oppositions between the rational Tediato and the superstitious Lorenzo. Thanks to the genre of the dialogue the tension between the two poles remains constant which on its turn enhances the impact of “Lugubrious Nights”.