07/19/2022
RALLY – CONTEXTS OF CREATION
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ABSTRACT
The long-story Rally by Stefan Dichev (1960), one of the favorite youth-adventure works in Bulgarian literature, is a direct subject of the article. First of all, attention is focused on the restoration of the different, diverse contexts of its creation, not as a one-time act, but as a process lasting over time: the genre fluctuations and the changes in the various editions, the illustrations and the artistic design as a book, the extremely mysterious relations with another, simultaneously created work – Diyarbakir Exiles by M. Marchevski. The unusual creation of the “Rally” is an occasion to touch in a broader context on the relationship of literature with other, neighboring discursive territories, the “translation” of the literary text into other discursive languages: illustration and art design, film adaptation, but above all comics, as far as Rally was born just as the first successful experience in this intermediate genre.
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ABSTRACT
The long-story Rally by Stefan Dichev (1960), one of the favorite youth-adventure works in Bulgarian literature, is a direct subject of the article. First of all, attention is focused on the restoration of the different, diverse contexts of its creation, not as a one-time act, but as a process lasting over time: the genre fluctuations and the changes in the various editions, the illustrations and the artistic design as a book, the extremely mysterious relations with another, simultaneously created work – Diyarbakir Exiles by M. Marchevski. The unusual creation of the “Rally” is an occasion to touch in a broader context on the relationship of literature with other, neighboring discursive territories, the “translation” of the literary text into other discursive languages: illustration and art design, film adaptation, but above all comics, as far as Rally was born just as the first successful experience in this intermediate genre.