Skip to main content
Български
English
Български
English
Header Top
CONTACT
Main navigation
HOME
ABOUT THE JOURNAL
EDITORS
EDITORIAL BOARD
ARCHIVE
AUTHORS
ETHICAL GUIDELINES
REQUIREMENTS FOR PUBLICATION
Breadcrumb
HOME
YEARS
YEAR V, 2025
9
IN THE WHIRlPOOL OF THE GAME OF QUOTES (OBSERVATIONS ON P. К. YAVOROV ATTEMPT AT FICTION, ENTITLED “FROM THE OBSERVATORY TO THE STATION”)
9
Nikolay Genov, Plamen Antov
INTRODUCTORY WORDS
Hristo Hristov Todorov
METAPHONY AND AUTOTEXTUALITY: NOTES ON RADOSVET KOLAROV'S TERM FORMATION
Ventzeslav Scholtze, PhD
AUTOTEXTUALITY WITHOUT AN AUTHOR. THE THEORY OF AUTOTEXTUALITY AND THE EPISTEMOLOGICAL OBSTACLE OF AUTHORSHIP
Margarita Serafimova
AUTHOR. ATMOSPHERE. AUTOTEXTUALITY
Nadezhda Alexandrova
TIME, EPIGRAPH AND AUTOBIOGRAPHY: ON AUTOTEXTUALITY IN SOFRONIY VRACHANSKI
Nevena Mihova
REPETITION AND CREATION. PETKO R. SLAVEYKOV “HOW I BECAME BAGPIPER”
Kalin Mikhaylov
THE MOTIF OF DEATH IN THE POETICAL WORKS OF STOYAN MIHAYLOVSKI: WORLDVIEWS, INTERPRETATIVE CONTEXTS AND TRANSFORMATIONAL MECHANISMS
Regina Koycheva, Asst. Prof. PhD
“THE SCOURGE OF GOD” SHORT STORY BY ELIN PELIN AND THE BIBLICAL TEXTS
Bisera Dakova
IN THE WHIRlPOOL OF THE GAME OF QUOTES (OBSERVATIONS ON P. К. YAVOROV ATTEMPT AT FICTION, ENTITLED “FROM THE OBSERVATORY TO THE STATION”)
Silvia Nikolova
PLAYING THE LOVER'S DISCOURSE (A STUDY ON DILETTANTE AND “RUDENESS” BY CHAVDAR MUTAFOV)
Samuil Radilov
COLLAPSE AND INTEGRATION OF THE EPIC FORM IN THE ORDINARY PEOPLE BY GEORGI KARASLAVOV
Plamen Antov
AUTOTEXTUALITY IN RADICKOV’S FICTION
Ivan Georgiev
AUTOTEXTUAL LEITMOTIF TECHNIQUE. FEW ESSAYS BY THOMAS MANN (AND “DOKTOR FAUSTUS”)
Yoanna Yaneva
THE REPERTOIRE AS A KIND OF REPETITION: AUTOCITATIVITY AND MEMORY IN “Waiting for Godot” BY S. BECKETT
Gergana Galabova
MISE EN ABYME AND RECCURSION IN THE HEARING TRUMPET GY LEONORA CARRINGTON
Stefan Goncharov
THE TRANSMODAL CUT IN THE WORK OF J. G. BALLARD
Yakim Petrov
FINISHING WILLIAM BURROUGHS: THE ETHICS OF THEFT AND THE GESTURE OF THE JOKE
Alexander Popov
ARTIFICIAL INTELLIGENCE AS AN AUTOTEXTUAL PROCESS
Maria Ignatova
TRACING INTERTEXTUAL CONNECTIONS AS A METHOD OF CONSTRUCTING THE MEDIEVAL IDENTITY: GOSTANZA AND COMPIUTA DONZELLA
Rebecca Gigli
OUTSIDE THE CANON: THE AUTOBIOGRAPHY OF PRINCE I. M. DOLGORUKOV (1764–1823)
Nikolay Todorov
THE FIRST STEPS IN THE THEORY OF MICROHISTORY: LUIS GONZÁLEZ Y GONZÁLEZ AND EMMANUEL LE ROY LADURIE
Ivan Georgiev
“LIFE AS QUOTATION”: “FREUD AND THE FUTURE” (THOMAS MANN)
Georgi Iliev
WHAT MAKES A LITERARY THEORETICIAN: BAKHTIN BETWEEN JOLLES AND AUERBACH
Nikola Stoyanov
THEORY-FICTIONS AND HYPERSTITIONS: A ROUGH INTRODUCTION
Ventzeslav Scholtze, PhD
NOSTALGISM OF THE IMPOSSIBLE. AN ATTEMPT FOR A PARALITERATURAL READING OF THE SOVIETWAVE GENRE
Emanuela Tchitchova
THE contemporary “documentary novel” and the difficulties facing the non-fictional narrative
Ilvie Konedareva
OBSERVING AUTOFICTION IN THE BULGARIAN PROSE OF THE 80’s OF 20th CENTURY (A BALLAD OF GEORG HENNIH – VICTOR PASKOV)
Yanitsa Radeva
Hagabula by Todor P. Todorov in the Context of Bulgarian Literature
Yakim Petrov
THE JESTS OF THE INFINITE: INTRODUCTION TO DAVID FOSTER WALLACE
Nikita Nankov
GEO MILEV’S POEM “SEPTEMBER” AS A DYSTOPIA-UTOPIA
Plamen Antov, Nikita Nankov
FOR THE NEAR – FAR, FOR THE FAR – CLOSE
Darin Tenev
Critique before Classics (Angel Angelov, Emil Staiger's Classical Anti/modernism, Sofia, 2024)
Nikolay Genov
Nikolay Genov, Meteorology as a Topos: "The Poetics of Instability" in the Context of "Meteotopia"
EDITORIAL BOARD
AUTHORS
Main navigation
HOME
ABOUT THE JOURNAL
EDITORS
EDITORIAL BOARD
ARCHIVE
AUTHORS
ETHICAL GUIDELINES
REQUIREMENTS FOR PUBLICATION
