Ремедиос Варо

The current paper aims to point out three points of intersection between the gothic tradition and surrealist art by drawing comparisons between some of the works of Max Ernst, Leonora Carrington and Remedios Varo and some key gothic fiction traits. The work of Max Ernst is represented by his three collage novels, while the text also focuses on Leonora Carrington’s fiction and some of Remedios Varo’s paintings. The paper examines the ways in which the three artists’ works relate to reality and dream and how the convergence of the two states forms surreality. The relationship between reality and surreality is examined through the lens of alchemy, madness and mystification, which are inseparable parts of the work of Ernst, Carrington and Varo, as well as key elements of the gothic cannon. Additional examples are drawn from the works of Vítězslav Nezval and China Miéville.