Absurd theatre

The transformations we explore consist in the fact that from what is specifically contained in the text, the Absurdism passes into the principles of the director‘s thinking, and hence into the stage laws for constructing a new world. Now we think of this as an establishment of the unusual form of directors’ independence, hidden under the apparent dependence on drama. In Stoyan Kambarev’s practice, it manifests itself in a different light: independence, which does not reject, does not discredit, does not degrade the drama, but accepts it as an “accomplice”, and thus rehabilitates the director as seeking dialogue with the world around, instead of unambiguously staring at himself.