Montaigne

This paper is part of a larger study on the essay film. It aims to explore more exactly the “essayistic” in and through film, where the essayistic indicates a kind of encounter between the self and the public domain, an encounter that measures the limits and possibilities of each as a conceptual activity. Appearing within many different artistic and material forms besides the essay film, the essayistic acts out a performative presentation of self as a kind of self-negation in which narrative or experimental structures are subsumed within the process of thinking through a public experience